It’s got to be ‘All Delighted People’ by Sufjan Stevens, take from the ‘All Delighted People EP’. It’s like a mini symphony/opera. It’s brilliant. Wow. And breathe.
Just last week I bought myself an old 1960s polaroid camera off eBay. It cost a mere £15 and it arrived in its original box and is just awesome! I love photography. I always have. Capturing moments in time have always been very important to me. Even now, when I go home to Dundee I love to get out the old photo albums and look back on years gone by. From the time I was a baby, right up until now. I never tire of these past moments and memories.
So, now I have two cameras. I have an old Canon AE-1 and now my polaroid and I cannot wait for a nice weekend to get out and take some photos with them. I’m not professing to be a photographer of any real skill, but I do know what I like in a picture and what makes a picture special for me. It’s a weird debate and one I had with my mum the other week – who happens to be an excellent photographer. She questioned “why a polaroid?” – because for her, the skill in photography is mainly the technical side. Shutter speed, exposure etc. I can see that. However, I actually feel that for me it’s more about the moment captured than the skill involved to do so. Point and shoot cameras can capture moments just as beautifully as any others and give me one of those over a fancy SLR any day. If the idea is not right, then it doesn’t matter how much skill was involved. For me anyway.
So I’ve been taking loads of photos on my camera phone of late. The “Edinburgh In The Snow” series I ran way back before Christmas were all photos taken on my phone. Nothing special. Just moments and images that I saw and loved and snapped. This past week, I got thinking about life in a city like Edinburgh. Every day, we see hundreds if not thousands of faces in daily life. We walk the same streets, share the same coffee shops, restaurants and bars. We do the same things. Yet we only know a few people with whom we truly share the spaces in which we live.
My work affords me the opportunity to visit many lovely buildings. To see the insides of peoples homes and indeed get into places within buildings that others could only dream of. I feel very lucky for this. I also love my job because I get to walk around the city going from site to site. I notice spaces. I notice places. I notice odd things. Things that we all walk past. Things that we all see perhaps. And yet, ultimately, we fail to share together. Not really share.
So I’ve been taking photos of these things. These spaces that are important. That help make up our city. That are part of our city. And that may not seem important to some. But to others are everything. And are important to me. Dunno. Probably post them under the same title as this post in the future.
Like I said, I am no skilled photographer. I just like taking photos.
What is it about Radiohead that make them so good? I think back to my very first experience of them, ‘The Bends’. Unlike many fans I never came to them off the back of ‘Creep’ and ‘Pablo Honey’ – and indeed to this day do not own that record, nor plan to. No, I was brought up on ‘The Bends’ with killer songs such as ‘High and Dry’, ‘Fake Plastic Trees’, ‘The Bends’ and ‘Street Spirit’. They were being touted as the next U2 back then. A monster stadium rock band that would rule the world of music.
The Bends was, for me the perfect record. I never skipped a song. I spent many teenage days lying on my bed listening to it in full and imaging what it would be like to write a song anywhere near as good as ‘Fake Plastic Trees’. I guess I may never know that feeling, but the love I had for that record and the way it made me feel was something special.
Then along OK Computer. Everyone expected another Bends. Everyone expected them to cement their place in stadium rock history. However, Radiohead had other ideas and produced a record far removed from its predecessor. The magic part was that they somehow, in the process, managed to create a record which not only was more successful but also considered, by most people, to be a masterpiece. And it is. It’s simply genius. But the best part was that when it came time to follow this record up everyone again expected that they would follow it with a record in the same vein. When ‘Kid A’ then ‘Amnesiac’ dropped in quick succession I think most people should have realised that this was not a band willing to conform to what was expected of them. This pattern continued through ‘Hail To The Thief’ and again on 2007’s fantastic ‘In Rainbows’. I guess the message that anyone looking forward to a new Radiohead record should take from their previous releases is simply – expect the unexpected.
And so, just this month, Radiohead suddenly, without warning, decided to announce the release of their new record ‘The King of Limbs’. It really did come from out of the blue but it was a very welcome piece of news.
As expected, this record in no way follows the pattern or style of ‘In Rainbows’, or indeed any other Radiohead record. That’s not to say it doesn’t reference what has gone before, because it quite clearly does and does so in quite a big way.
I read somebody say that becuase this is not “stunning” it represents a failure for Radiohead. I find that a very hard comment to understand on the one hand but completely understand on the other. Personally, I would agree that this record has not blown me away. But on repeat listen it has blossomed into something quite brilliant and quite different. It is, I think, a very rhythmic record with focus on bass and drums and also, perhaps oddly for Radiohead, is very consistent in sound, tone, texture and style. I love this. It has a real focus. A real intent and purpose. Thom Yorke’s voice is simply sublime on this record. At times mumbled. At times effortless. Always sublime. From ‘Lotus Flower’ on, this record IS brilliant. ‘Codex’ is as heartbreakingly beautiful as anything previously written. The ideas on this record are, as always, plentiful. The instrumentation exceptional. The overall impact just what was needed.
Last year really was a disappointing year for me in terms of albums released. Then, in quick succession, Mogwai, Bright Eyes, Dustin O’Halloran and Radiohead release quality records and make things feel a little brighter. Elbow and R.E.M still to dissect but, so far, so good.
Ok, so ‘The King Of Limbs’ may not go down as Radiohead’s best record to date but it is still light years ahead of most artists in terms of ideas, invention, creativity and real quality. And, as always, it is something different and fresh and innovative – which is something we all should have come to expect from them by now. I would highly recommend this record. Enjoy.
Today it has to be Elbow. One of my all time favourite artists, they return today with their new album ‘Build A Rocket Boys!’ and I cannot wait to hear it. Hopefully it will be a step back towards the Elbow of old, rather than the Elbow of the last two records, which just weren’t as good for me – even if they were for the Mercury Awards and the rest of the UK! Still great, just not as good as the first two records. From the first record ‘Asleep In The Back’, today’s tune is ‘Newborn’. Just stunning.
Slacking. Apologies. This is really yesterday’s tune. Keep it Scottish. Make it about FOUND since it’s their album launch this evening. So this is yesterday’s tune, but all about today. If you can get along to the Voodoo Rooms tonight for the album launch then you should cause FOUND are ace.
Track is ‘Plotkiller’ taken from their last long player ‘This Mess We Keep Reshaping’. Their new album ‘Factorycraft’ is due for release on Chemikal Underground.